This is a featured article, which represents some of the best content on English Wikipedia.
Image 1
Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
Image 2
Rioters besieging a bus in Tianshan, Ürümqi, attacking escaping Han passengers with sticks.
A series of violent riots over several days broke out on 5 July 2009 in Ürümqi, the capital city of the Xinjiang Uyghur Autonomous Region (XUAR), in northwestern China. The first day's rioting, which involved at least 1,000 Uyghurs, began as a protest, but escalated into violent attacks that mainly targeted Han people. According to Chinese state media, a total of 197 people died, most of whom were Han people or non-Muslim minorities, with 1,721 others injured and many vehicles and buildings destroyed. Many Uyghurs disappeared during wide-scale police sweeps in the days following the riots; Human Rights Watch (HRW) documented 43 cases and said figures for real disappearances were likely to be much higher.
Rioting began following the Shaoguan incident, where false accusations of rape of a Han woman by Uyghur men led to a brawl between ethnic Han and Uyghur factory workers in Shaoguan, resulting in the deaths of two Uyghurs who were both from Xinjiang. The Chinese government claimed that the riots were planned from abroad by the World Uyghur Congress (WUC) and its leader Rebiya Kadeer. Kadeer denies fomenting the violence in her fight for Uyghur self-determination. (Full article...)
Image 3
Posthumous portrait
Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
Image 4
A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
Image 6
Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
Image 7
Holotype skull shown from above (A), the right side (B), and below (C)
Xixiasaurus (/ˌʃiːʃiəˈsɔːrəs/) is a genus of troodontiddinosaur that lived during the Late CretaceousPeriod in what is now China. The only known specimen was discovered in Xixia County, Henan Province, in central China, and became the holotype of the new genus and speciesXixiasaurus henanensis in 2010. The names refer to the areas of discovery, and can be translated as "Henan Xixia lizard". The specimen consists of an almost complete skull (except for the hindmost portion), part of the lower jaw, and teeth, as well as a partial right forelimb.
Xixiasaurus is estimated to have been 1.5 metres (5 ft) long and to have weighed 8 kilograms (18 lb). As a troodontid, it would have been bird-like and lightly built, with grasping hands and an enlarged sickle-shaped claw on the second toe. Its skull was long, with a long, low snout that formed a tapering U-shape when seen from below. The frontal bone of the forehead was dome-like in side view, which indicates it had an enlarged braincase. It differed from other troodontids in that the front of the dentary bone of the lower jaw was down-turned. Unlike in most troodontids, the teeth of Xixiasaurus did not have serrations; instead, their carinae (front and back edges) were smooth and sharp. It was distinct among troodontids in having 22 teeth in each maxilla (in other genera the maxillary tooth count was either higher or lower). (Full article...)
Sino-Roman relations comprised the (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties that followed. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
The economy of the Han dynasty (206 BC – 220 AD) of ancient China experienced upward and downward movements in its economic cycle, periods of economic prosperity and decline. It is normally divided into three periods: Western Han (206 BC – 9 AD), the Xin dynasty (9–23 AD), and Eastern Han (25–220 AD). The Xin regime, established by the former regent Wang Mang, formed a brief interregnum between lengthy periods of Han rule. Following the fall of Wang Mang, the Han capital was moved eastward from Chang'an to Luoyang. In consequence, historians have named the succeeding eras Western Han and Eastern Han respectively.
The Han economy was defined by significant population growth, increasing urbanization, unprecedented growth of industry and trade, and government experimentation with nationalization. Another large component of the government is that it was run by influential families who had the most money. In this era, the levels of minting and circulation of coin currency grew significantly, forming the foundation of a stable monetary system. The Silk Road facilitated the establishment of trade and tributary exchanges with foreign countries across Eurasia, many of which were previously unknown to the people of ancient China. The imperial capitals of both Western Han (Chang'an) and Eastern Han (Luoyang) were among the largest cities in the world at the time, in both population and area. Here, government workshops manufactured furnishings for the palaces of the emperor and produced goods for the common people. The government oversaw the construction of roads and bridges, which facilitated official government business and encouraged commercial growth. Under Han rule, industrialists, wholesalers, and merchants—from minor shopkeepers to wealthy businessmen—could engage in a wide range of enterprises and trade in the domestic, public, and even military spheres. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
Image 11
Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
In his Dream Pool Essays or Dream Torrent Essays (夢溪筆談; Mengxi Bitan) of 1088, Shen was the first to describe the magnetic needle compass, which would be used for navigation (first described in Europe by Alexander Neckam in 1187). Shen discovered the concept of true north in terms of magnetic declination towards the north pole, with experimentation of suspended magnetic needles and "the improved meridian determined by Shen's [astronomical] measurement of the distance between the pole star and true north". This was the decisive step in human history to make compasses more useful for navigation, and may have been a concept unknown in Europe for another four hundred years (evidence of German sundials made circa 1450 show markings similar to Chinese geomancers' compasses in regard to declination). (Full article...)
... that New York store Yun Hai raised nine times its fundraising target to support Taiwanese farmers after China banned the import of their pineapples?
... that to protest changes to the flight route M503, Taiwan cancelled 176 flights between China and Taiwan?
... that the China Folk House Retreat dismantled a Chinese folk house and rebuilt it in West Virginia?
... that the bird subspecies Alcippe dubia genestieri is named after Annet Genestier, a French missionary-botanist in China who also built Zhongding Catholic Church in 1908?
... that although Baeoentedon bouceki was collected from China in 1983, it was not formally described as a new species until 2014?
...that the first railway locomotive in China was in service for only 15 months between 1876 and 1877 (pictured) before being purchased and deliberately destroyed by the ruling Qing dynasty?
It has a low sugar content (19%) and low saturated fat content (2%). By comparison, cotton candy is fat free with a very high sugar content (94%). Dragon's beard candy has a very short shelf life. It is highly sensitive to moisture and tends to melt when exposed to higher temperatures, notably during warm weather. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
Image 1
The Chinese fort in Kowloon, 1841
The Battle of Kowloon (Chinese: 九龍海戰) was a skirmish between British and Chinese vessels off the Kowloon Peninsula, China, on 4 September 1839, located in Hong Kong, although Kowloon was then part of the Guangdong province. The skirmish was the first armed conflict of the First Opium War and occurred when British boats opened fire on Chinese war junks enforcing a food sales embargo on the British community. The ban was ordered after a Chinese man died in a brawl with drunk British sailors at Tsim Sha Tsui. The Chinese authorities did not consider the punishment to be sufficient as meted out by British officials, so they suspended food supplies in an attempt to force the British to turn over the culprit.
Captain Charles Elliot was the chief superintendent of British trade in China, and he sailed to Kowloon in the cutterLouisa for food supplies during the embargo, accompanied by the schoonerPearl and a pinnace from HMS Volage. They encountered three Chinese junks, and Elliot sent interpreter Karl Gutzlaff with demands to allow the supply of provisions. He finally delivered an ultimatum after several hours of correspondence: the junks would be sunk if supplies were not received. The stated time period expired with no results, so the British opened fire on the junks, which returned fire with support from the on-shore fort. The larger junks pursued the British boats which were sailing away after running low on ammunition, but the British re-engaged the ships after replenishing their ammunition, and the Chinese retreated to their former position, ending the clash in a stalemate. (Full article...)
Asia League Ice Hockey (Japanese: アジアリーグアイスホッケー; Korean: 아시아리그 아이스하키) or ALIH (AL) is an association which operates a professional ice hockey league based in East Asia, with teams from Japan, South Korea, and formerly China and Russia. The league is headquartered in Japan. At the end of the playoffs every year the winner is awarded the Championship Trophy.
The league was formed in 2003 due to declining popularity in the Japan Ice Hockey League and the folding of the Korean Ice Hockey League. It was formed with the goal of promoting hockey and developing players' skills. The league initially comprised five teams in two countries. It expanded to highs of four countries (2004–05 season) and nine teams (2005–06 season) and it comprised eight teams from three countries in the 2013–14 season. Prior to the 2014–15 season, a Russian team from Yuzhno-Sakhalinsk, HC Sakhalin, was affiliated to the league. (Full article...)
Image 4
Map of Battle of Unsan on the night of 1 – 2 November 1950
The Hanzhong valley, the location of the Celestial Masters' state. The Way of the Five Pecks of Rice (Chinese: 五斗米道; pinyin: Wǔ Dǒu Mǐ Dào) or the Way of the Celestial Master, commonly abbreviated to simply The Celestial Masters, was a ChineseTaoist movement founded by the first Celestial MasterZhang Daoling in 142 CE. At its height, the movement controlled a theocratic state in the Hanzhong valley, north of Sichuan. In 215 CE, the state was incorporated by Cao Cao into what would later be the Kingdom of Wei, and the followers of the Celestial Master were dispersed all over China.
The Celestial Masters believed that qi pervaded everything, and in order to achieve immortality, the correct balance of qi had to be present within the body. Having a poor quantity of qi in the body, would result in illness, and eventually death. Meditation could be used to restore qi to the body, but sex was to be avoided, as it could result in the loss of qi. If there was the correct balance of qi within the body upon death, an adherent could 'feign death' and be reborn. If not, an adherent would be transported to an earthly prison where he would face eternal torment. (Full article...)
Maudgalyāyana (Pali: Moggallāna), also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra (Pali: Sāriputta), and Mahākāśyapa (Pali: Mahākassapa), he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that.
Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life. (Full article...)
The First Battle of Maryang-san (3–8 October 1951), also known as the Defensive Battle of Maliangshan (Chinese: 馬良山防衛戰; pinyin: Mǎliáng Shān Fángyù Zhàn), was fought during the Korean War between United Nations Command (UN) forces—primarily Australian, British and Canadian—and the Chinese People's Volunteer Army (PVA). The fighting occurred during a limited UN offensive by US I Corps, codenamed Operation Commando. This offensive ultimately pushed the PVA back from the Imjin River to the Jamestown Line and destroyed elements of four PVA armies following heavy fighting. The much smaller battle at Maryang-san took place over a five-day period, and saw the 1st Commonwealth Division dislodge a numerically superior PVA force from the tactically important Kowang-san (Hill 355), Hill 187, and Maryang-san (Hill 317, a.k.a. Hill 315) features.
Using tactics first developed against the Japanese in New Guinea during the Second World War, the Australians gained the advantage of the high ground and assaulted the PVA positions from unexpected directions. They then repelled repeated PVA counterattacks aimed at re-capturing Maryang San and Kowang-san (the latter on 12 October), with both sides suffering heavy casualties before the Australians were finally relieved by a British battalion. However, with the peace-talks ongoing, these operations proved to be the last actions in the war of manoeuvre, which had lasted the previous sixteen months. It was replaced by a static war characterised by fixed defences reminiscent of the Western Front in 1915–17. A month later, the PVA re-captured Maryang San during fierce fighting, and it was never re-gained. Today, the battle is widely regarded as one of the Australian Army's greatest accomplishments during the war. (Full article...)
Image 9
Chinese cruiser Jiyuan
Japanese cruiser Saien (formerly the Chinese cruiser Jiyuan) at Kure in March 1895
Severe Tropical Storm Ampil approaching the Ryukyu Islands on July 20
Severe Tropical Storm Ampil, known in the Philippines as Severe Tropical Storm Inday, was a tropical cyclone that caused moderate damage in the Ryukyu Islands and East and Northeast China in late July 2018. The tenth named storm of the annual typhoon season, Ampil developed into a tropical depression east of Luzon on July 17. The system gradually strengthened over the following days amid a marginally favorable environment and became a severe tropical storm late on July 19 as it moved northwest. Maintaining its strength, Ampil passed over Okinawa Island from July 20 to 21. Thereafter, Ampil weakened slightly while crossing the East China Sea, before making landfall in Shanghai, China, on July 22. The system weakened slowly over land and degraded to a tropical depression on July 23. The system turned eastwards as it continued weakening over land, diminishing to a remnant low on July 25 and dissipating fully a day later over the Russian Far East.
Ampil produced gusty winds across the Ryukyu Islands from July 20 to 21, causing disruptions to transport and businesses. Moisture extending from Ampil also caused thunderstorms in Fukuoka. From July 22 to 25, Ampil generated heavy rains across much of East and Northeast China, affecting more than 2.3 million people and causing record-breaking flooding within the watershed of the Songhua River. About 387,000 people were evacuated from coastal areas in Shanghai, Jiangsu, and Zhejiang. Transport was severely disrupted, with 600 flights into Shanghai canceled and ferries and rail services suspended. A person in Shandong was killed by a fallen tree. About 7,200 houses were damaged or destroyed, while 169,000 hectares (420,000 acres) of cropland were damaged. Direct economic losses reached ¥1.63 billion (US$246 million). (Full article...)
Image 13
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
Image 14
Chinese First Phase Offensive, 25 October – 1 November 1950
The Battle of Pakchon (5 November 1950), also known as the Battle of Bochuan (Chinese: 博川战斗; pinyin: Bó Chuān Zhàn Dòu), took place ten days after the start of the Chinese First Phase Offensive, following the entry of the Chinese People's Volunteer Army (PVA) into the Korean War. The offensive reversed the United Nations Command (UN) advance towards the Yalu River which had occurred after their intervention in the wake of the North Korean invasion of South Korea at the start of the war. The battle was fought between British and Australian forces from the 27th British Commonwealth Brigade with American armour and artillery in support, and the PVA 117th Division of the 39th Army, around the village of Pakchon on the Taeryong River. After capturing Chongju on 30 October the British and Australians had been ordered to pull back to Pakchon in an attempt to consolidate the western flank of the US Eighth Army. Meanwhile, immediately following their success at Unsan against the Americans, the PVA 117th Division had attacked southward, intending to cut off the UN forces as they withdrew in the face of the unexpected PVA assault. To halt the PVA advance, the 27th British Commonwealth Brigade was ordered to defend the lower crossings of the Taeryong and Chongchon rivers as part of a rearguard, in conjunction with the US 24th Infantry Division further upstream on the right.
During the night of 4/5 November, the PVA and Korean People's Army (KPA) mounted a full-scale assault on the US 24th Infantry Division, pushing back an American infantry regiment nearly 2 kilometres (1.2 mi). The PVA/KPA force subsequently turned west, advancing between the Taeryong and Chongchon rivers and threatening the rear of the 27th British Commonwealth Brigade by cutting the Pakchon–Sinanju road. The following day they attacked an American artillery battery which was guarding a vital concrete bridge near Kujin. The British and Australians then successfully counter-attacked the PVA forces occupying a number of nearby ridgelines during the day but were in turn counter-attacked before being pushed off the high ground during the night. In their first battle with the PVA, the 3rd Battalion, Royal Australian Regiment (3 RAR) captured a well defended hill with only limited offensive support, and held it in the face of heavy counter-attacks before confused command decisions resulted in a disorganised night withdrawal while still in contact. The withdrawal threatened to open the 27th British Commonwealth Brigade's left flank and the Australians were ordered to immediately reposition on the ridge, yet ultimately it was too late to regain the feature in darkness. However, following heavy fighting the pressure on the Australians unexpectedly ceased after midnight, and parties of PVA were observed beginning to withdraw. By early morning the PVA attack had been checked and 3 RAR had redeployed to new positions in the paddy fields around the railway crossing north of Maenjung-dong. (Full article...)
Image 3Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 15Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 21Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 59Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
.jpg)
.jpg)
.jpg)
.svg){kind=small}
.svg){kind=small}
.jpg)
.jpg)
_(Dhondup_Wangchen_Headshot).jpg)
.jpg)
_-_1958.213.b_-_Cleveland_Museum_of_Art.jpg)
.jpg)
.svg)
.jpg)
.png)
-111425_(24150640974).jpg)
.jpg)
_(cropped).jpg)
wiki incubator Xiang (湘语)
Commons
Wikibooks
Wikidata
Wikinews
Wikiquote
Wikisource
Wikiversity
Wikivoyage
Wiktionary
.jpg){kind=link}
_in_1963_-_Restoration.jpg){kind=link}
_(cropped).jpg){kind=link}
.jpg){kind=link}
_-_Restoration.jpg){kind=link}
_(BM_1906,1220,0.1311).jpg){kind=link}
